Trees
by Li Huayi
ESKENAZI
ISBN: 978 1 873609 59 0
Design, Typesetting Daniel M. Eskenazi, London
Photography Daniel M. Eskenazi, London
Printed and originated by Graphicom Srl., Vicenza
© copyright 2025 ESKENAZI London
ESKENAZI
Trees and mountains on gold and silver by Li Huayi
27 October - 14 November 2025
10 Clifford Street
London W1S 2LJ
Telephone: 020 7493 5464
e-mail: gallery@eskenazi.co.uk web: www.eskenazi.co.uk
我们很荣幸呈献第五次李华弌个展，特别推出八幅以金箔或银箔为材质的画 作。此非华弌首次采用金箔创作：2010年本艺廊于纽约乌克兰学院举办 李华弌的树、石、雾、山》展览时，艺术家曾以巨型素面日式六曲金箔 婚礼屏风为基底，绘就两株巍然古松。
华弌的大幅创作虽气象恢弘，然陈设需广阔空间。若能使尺幅精敛，则 更利藏家庋藏。为创作如本次展览所呈的小尺幅佳作，华弌与日本传统匠师 协作，革新金银箔贴覆技艺。
然无论尺幅如何变化，李华弌贯通古今的艺术魄力始终如一——其作品 既承续中国古典绘画的文脉精粹，亦彰显当代艺术的探索精神。他笔下的 山水唤起宋代宗师的空灵意境，而构图章法与精神气象却烙印鲜明的现代印 记。其画境于方寸间纳须弥，邀观者超脱物理空间，体悟永恒、孤寂与灵性 深度。
此次展览提供一扇窥探华弌与历史、自然、自我持续对话的窗牖。其作 品不仅是文人画的复兴，更昭示：水墨于妙手运筹下，绝非往昔遗骸，而是 具有鲜活生命力、可诠释时间玄奥的媒介。
谨此感念家父的热忱支持，并致谢王嘉慧女士审校图录，和朱玲博士中 译文字图注。
Daniel Eskenazi
We are proud to present, for our fifth exhibition of work by Li Huayi, a group of eight paintings using either gold or silver. This is not the first time Huayi has used gold in his work. In 2010, for the exhibition Trees, rocks, mist, and mountains by Li Huayi which we held at the Ukrainian Institute in New York, Huayi employed a plain but large pair of six-fold Japanese gold wedding screens as the ground for his ink rendering of two monumental pine trees.
Huayi’s large works are invariably wonderful but require large spaces and it was felt if they could be made on a smaller scale they would be accessible to more collectors. To create smaller works, like those featured in the current exhibition, Huayi developed and refined new gold and silver leafing techniques in collaboration with traditional Japanese craftsmen.
What remains irrespective of scale however is Li Huayi’s ability to bridge between centuries—between the storied traditions of classical Chinese painting and the urgent, searching spirit of contemporary art. His landscape paintings evoke the ethereal grandeur of Song Dynasty masters, yet they are unmistakably modern in composition and psychological presence. At once intimate and vast, his landscapes invite viewers into spaces that transcend the physical, evoking a sense of timelessness, solitude, and spiritual depth.
In presenting this body of work, we offer a window into Huayi’s ongoing dialogue with history, nature, and self. In his work, we find not merely a revival of literati painting, but one that acknowledges that ink, in the right hands, is not a relic of the past but a living, breathing medium capable of expressing the complexity and mystery of time.
I would like to thank my father for his enthusiasm and support. I would also like to thank Sarah Wong for checking all is correct and Dr Ling Zhu for translating texts and captions into Chinese.
Daniel Eskenazi
艺术家自述
记得《千字文》的开头是“天地玄黄”。东方人的色彩观与西洋人的很不 同，不同之处在于东方人更简约更直观。在我看来，“玄黄”如果用色彩来 解读，“玄”等于墨色，“黄”则等于用金黄色来表现。
我的山水画，有人说是受宋人的影响。宋人山水画描绘的是“天地人” 或“人在天地间”，以二维表达抽象的东方宇宙观，人与自然共存的整体。
而我是从不画人的，无论他们在宋画中多么谦逊，“天地”终是永恒的存 在，也是“阴阳”的对比。通过用色彩来暗示“阴阳”，我的画是想用金黄 色来暗示“阳”，而玄黑色来暗示“阴”，这与东西方人类的童年很相似。
或者，若用银色暗示“阴”，那么绘画主体中的黑白（素描关系）反而就成 了暗示“阳”了。这样，“金”“银”的运用也在绘画中成了一种色彩的运 用，整个过程是多么令人愉快呀！
我们这代是现代人，免不了都受过西方教育。现代中国人的真实情感怎 么表现在绘画中，才是急需解决的问题。看着今天油画、国画、版画还在互 相斗争，没有一种当代中国画可以存在并且传递下去，我们应不应该为创作 这样的画而反思呢？
I recall The Thousand Character Classic begins with the phrase, ‘Heaven is black, earth is yellow’ ( 天地玄黄 ). The Eastern perspective on colour differs markedly from the Western one, in that in the East, the approach is perhaps more minimalistic and intuitive. In my view, if ‘black’ ( 玄 ) and ‘yellow’ ( 黄 ) were to be interpreted as colours, ‘black’ would equate to ink-black, while ‘yellow’ would manifest as gold.
It is sometimes said that my landscape paintings are influenced by Song dynasty masters. Song landscapes depict ‘heaven, earth, and man’ or ‘man between heaven and earth,’ using a two-dimensional surface to convey an abstract Eastern cosmology — the harmonious co-existence of humanity and nature. But I choose not to depict people in my paintings. No matter how modestly they were portrayed in Song paintings, ‘heaven and earth’ remain the eternal constants, embodying the duality of yang and yin . Through colour, I create this contrast in my works: gold implies yang , while ink-black implies yin — this simple duality mirrors the innocence of childhood in both the East and the West. Alternatively, if silver is used to represent yin , then the black-andwhite (tonal) structure within the main body of the painting could in turn imply yang . In this way, the use of gold and silver becomes a form of colour expression in painting — and what a joyous process it is!
We belong to the modern generation, having inevitably received a Western-style education. The pressing question is how to faithfully convey the emotions of contemporary Chinese people through painting? Today, oil painting, ink painting, and printmaking vie for dominance, yet no single form of ‘Chinese contemporary painting’ has emerged to be passed down to future generations. Should we not reflect on how to create such a tradition?
Li Huayi
1948 Born in Shanghai, China
1954 Began studying Chinese ink painting under Wang Jimei, son of Wang Yiting
1964 Began studying Western painting and drawing under Zhang Chongren, a graduate of the Belgium Royal Academy of Art
1969-76 During Cultural Revolution, was a worker artist doing propaganda art for the Communist Party
1982 Moved to San Francisco, the United States
1984 Received his Master of Fine Arts Degree from Academy of Art, San Francisco
2005 Became a disciple of Chen Pei Qiu, master of Chinese painting from Shanghai
Selected Solo Exhibitions
2021 Infinities Between Ink and Gold – Recent Works of Li Huayi , organized by Kwai Fung Hin Art Gallery, F Hall Studio, Tai Kwun, Hong Kong, China
2019 Contemporary Landscapes: Li Huayi , Honolulu Museum of Art, Hawaii, the United States Law of Nature, Tao of Man , Kwai Fung Hin Art Gallery, Hong Kong, China
2017 Fantasies on Paper and Enchantments in Gold , Suzhou Museum, Suzhou, China
Solo Exhibition of Li Huayi , Kwai Fung Hin Art Gallery, Art Basel, Hong Kong, China
Landscapes in New Dimensions , Kwai Fung Hin Art Gallery, Hong Kong, China
2016 Exotica, Recent Works of Li Huayi , Kwai Fung Hin Art Gallery, Hong Kong, China
2014 Waterfalls, Rocks and Bamboo by Li Huayi , Eskenazi Gallery, London, the United Kingdom
2011 Images of the Mind: The Ink Painting of Li Huayi , National Art Museum of China, Beijing, China
Beyond Representation: Li Huayi’s New Art , Beijing Center for the Arts, Beijing, China
The Twelve Animals of the Zodiac by Li Huayi , Eskenazi Gallery, London, the United Kingdom
2010 Trees, Rocks, Mist and Mountains by Li Huayi , Eskenazi Gallery, New York Asia Week, New York, the United States
2008 Li Huayi at 60: Paintings in the Yiqingzhai Collection , The Ink Society, Hong Kong, China
2007 Mountain Landscapes by Li Huayi , Eskenazi Gallery, London, the United Kingdom
2004 The Monumental Landscapes of Li Huayi , Asian Art Museum of San Francisco, the United States
1997 The Landscapes of Li Huayi, Kaikodo, New York, the United States
Selected Group Exhibitions
2025 Line, Form, Qi: Calligraphic Art from the Fondation INK , The Los Angeles County Museum of Art, Los Angeles, the United States
2024 From Landscape to Landscapes, organized by Kwai Fung Hin Art Gallery, Alliance Française de Singapour, Singapore
2020 Longing for Nature: Reading Landscapes in Chinese Art , Museum Rietberg, Zürich, Switzerland
2018 Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang , Cantor Arts Center, Stanford University, California, the United States
2017 The Weight of Lightness: Ink Art at M+ , M+ Pavilion, Hong Kong, China
Boundless: Ongoing - Chinese Ink Art 2017 , Art Museum of Sichuan Fine Arts Institute, Chongqing, China
Different Paths: Explorations in Ink , S | 2 Sotheby’s, New York, the United States
2015 Shanghai Ever , Museum of Contemporary Art, Shanghai, China
China’s Changing Landscape , the Amos Anderson Art Museum, Helsinki, Finland
The Wondrous All: Leading Edge of Eastern Thought , Taipei Fine Arts Museum, Taiwan
Shuimo: Ten Thousand Blossoms Spring , S | 2 Sotheby’s, New York, the United States
2014 China’s Changing Landscape , Nordic Watercolour Museum, Skarhamn, Sweden
Contemporary Ink , NanHai Art, San Francisco, the United States
Meditations in Nature: New Ink , Ben Brown Fine Arts, Hong Kong, China
Shuimo / Water Ink: Enchanted Landscapes , S | 2 Sotheby’s, New York, the United States
2013 The Moment for Ink , Silicon Valley Asian Art Center, California, the United States
Illusion / Image: Contemporary Chinese Ink Art Series 1 , Hive Center for Contemporary Art, Beijing, China
Shuimo / Water Ink: Chinese Contemporary Ink Paintings , S | 2 Sotheby’s, New York, the United States
Beyond Tradition - Chinese Contemporary Ink , Christie’s, New York, the United States
Chinese Contemporary Ink – The Beginnings and Beyond , Christie’s, Hong Kong, China
2012 Ink: The Art of China , Saatchi Gallery, London, the United Kingdom
The Chinese Scholar – Ink Painting and Works of Art , New York Asia Week, Fuller Building, New York, the United States
Subtle Ink , Gallery 100, Taiwan
2010 Fresh Ink: Ten Takes on Chinese Tradition , Museum of Fine Arts, Boston, the United States
Shanghai: Art of the City, Asian Art Museum of San Francisco, the United States
2008 Beyond Reminiscence , Beijing Center for the Arts, Beijing, China
2007 The Third Chengdu Biennale: Reboot , New International Convention Center of Chengdu, Chengdu, China
Infinite Shades , Art Institute of Chicago, the United States
2006 20th Century Chinese Landscape , Shanghai Art Museum, Shanghai, China
The New Chinese Landscape , Arthur M. Sackler Museum, Harvard University, Cambridge, the United States
2004 Land_Scapes, Shanghai Gallery of Art, Shanghai, China
The Second Contemporary Landscape Painting Invitational Exhibition , Shanghai Art Museum, Shanghai, China
2002 Contemporary Landscape Painting Invitational Exhibition, Liu Haisu Art Museum, Shanghai, China
2001 Seven Chinese Artists from North America: An Invitational Exhibition , Duo Yun Xuan, Shanghai, China
Modern Chinese Art: The Khoan and Michael Sullivan Collection, Ashmolean Museum, The University of Oxford, Oxford, the United Kingom
1999 Passion of Collecting, University Museum and Art Gallery, The University of Hong Kong, Hong Kong, China
In Concert: Landscapes by Li Huayi and Zhang Hong, Kaikodo, New York, the United States
1998 A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China, Guggenheim Museum, New York, the United States (the same exhibition was later exhibited at Guggenheim Museum, Bilbao, Spain under the title China 5000 Years )
Wege ins Paradies - Oder Die Liebe Zum Stein in China, Rietberg Museum, Zürich, Switzerland
Collections
Art Gallery of New South Wales, Sydney, Australia
Art Institute of Chicago, Chicago, the United States
Asian Art Museum of San Francisco, San Francisco, the United States
Brooklyn Museum, New York, the United States
Cleveland Museum of Art, Cleveland, the United States
Denver Art Museum, Denver, the United States
Harvard Art Museums-Arthur M. Sackler Museum, Cambridge, the United States
Hong Kong Museum of Art, Hong Kong, China
Honolulu Museum of Art, Hawaii, the United States
Los Angeles County Museum of Art, Los Angeles, the United States
M+, Hong Kong, China
Spencer Museum of Art, University of Kansas, Lawrence, the United States
Suzhou Museum, Suzhou, China
The British Museum, London, the United Kingdom
Vassar College, New York, the United States
Trees and mountains on gold and silver by Li Huayi
1
Between the Cliffs
Ink, colour and gold leaf on silk
Dimensions: 60.0cm by 60.0cm
Signed: Li Huayi
Artist’s seal: Li Huayi
崖间
水墨设色金箔绢本 落款：李华弌 钤印：李华弌
2
Shadows Dancing among Pines
Ink, colour and silver leaf on silk
Dimensions: 48.0cm x 75.0cm
Signed: Li Huayi
Artist’s seal: Li Huayi
影舞松间
水墨设色银箔绢本 落款：李华弌
钤印：李华弌
3
Secluded Valley
Ink, colour and gold leaf on silk
Dimensions: 53.5cm x 62cm
Signed: Li Huayi
Artist’s seal: Li Huayi 幽谷
4
Untamed
Ink, colour and gold leaf on silk
Dimensions: 50.0cm x 60.0cm
Signed: Li Huayi
Artist’s seal: Zong Wan
恣意
水墨设色金箔绢本
落款：李华弌
钤印: 总万
5 Mountain Pine
Ink, colour and gold leaf on silk
Dimensions: 50.5cm x 91.5cm
Signed: Li Huayi
Artist’s seal: Li Huayi
6
Infinite Morning Light
Charcoal, ink, colour and gold leaf on silk
Dimensions: 114.5cm x 177.0cm
Signed: Li Huayi
Artist’s seal: Li Huayi
7
Lingering Light
Ink, colour and gold leaf on silk
Dimensions: 48.0cm x 78.5cm
Signed: Li Huayi
余晖
8 Golden Pond
Ink, colour and gold leaf on silk
Dimensions: 59.0cm x 63.0cm
Signed: Li Huayi
Artist’s seal: Li Huayi
金池 水墨设色金箔绢本
Works of art purchased from Eskenazi Ltd.
London, are now in the following museum collections:
Ackland Art Museum, North Carolina
Arita Porcelain Park Museum, Saga
Art Gallery of New South Wales, Sydney
Art Gallery of South Australia, Adelaide
Art Institute of Chicago, Chicago
Arthur M. Sackler Gallery, Washington, DC
Ashmolean Museum, Oxford
Asia House, Mr and Mrs John D Rockefeller 3rd Collection, New York
Asian Art Museum of San Francisco, San Francisco
Asian Civilisations Museum, Singapore
Baltimore Museum of Art, Baltimore
Birmingham Museum of Art, Alabama
British Museum, London
Brooklyn Museum, New York
Chang Foundation, Taibei
Chung Young Yang Embroidery Museum, Sookmyung
Women’s University, Seoul, Korea
Cincinnati Art Museum, Cincinnati
Cleveland Museum of Art, Cleveland
Columbus Museum of Art, Columbus
Corning Museum of Glass, Corning
Dallas Museum of Art, Dallas
Dayton Art Institute, Dayton
Denver Art Museum, Denver
Designmuseum Danmark, Copenhagen
Didrichsen Art Museum, Helsinki
Fitzwilliam Museum, Cambridge
Flagstaff House Museum of Teaware, Hong Kong
Freer Gallery of Art, Washington, DC
Hagi Uragami Museum, Hagi
Hakone Museum of Art, Hakone
Harvard Art Museums, Cambridge, Massachusetts
Hetjens Museum, Düsseldorf
Hong Kong Museum of Art, Hong Kong
Honolulu Museum of Art, Honolulu
Idemitsu Museum of Arts, Tokyo
Indianapolis Museum of Art, Indianapolis
Israel Museum, Jerusalem
Istituto Italiano per il Medio ed Estremo Oriente, Rome
Kimbell Art Museum, Fort Worth
Kuboso Memorial Museum of Arts, Izumi, Osaka
Los Angeles County Museum of Art, Los Angeles
Louvre Abu Dhabi, Abu Dhabi
M Woods Museum, Beijing
Matsuoka Museum of Art, Tokyo
Metropolitan Museum of Art, New York
Miho Museum, Shigaraki
Minneapolis Institute of Art, Minneapolis
MOA Museum of Art, Atami
Musée Ariana, Geneva
Musée des arts asiatiques, Nice
Musée national des arts asiatiques Guimet, Paris
Musées royaux d’Art et d’Histoire, Brussels Museum für Asiatische Kunst, Berlin Museum für Kunst und Gewerbe, Hamburg Museum für Lackkunst, Münster
Museum für Ostasiatische Kunst, Cologne
Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Islamic Art, Doha Museum of Oriental Ceramics, Osaka
Museum Rietberg, Zurich
National Gallery of Australia, Canberra
National Gallery of Canada, Ottawa
National Gallery of Victoria, Melbourne
National Museum of Singapore, Singapore
Nelson-Atkins Museum of Art, Kansas City
Nezu Museum, Tokyo
Norton Simon Museum, Pasadena
Östasiatiska Museet, Stockholm
Princeton University Art Museum, Princeton
Royal Ontario Museum, Toronto
St. Louis Art Museum, St. Louis
Seattle Art Museum, Seattle
Shanghai Museum, Shanghai
Speed Art Museum, Louisville
State Administration of Cultural Heritage, Beijing
Toguri Museum of Art, Tokyo
Tokyo Fuji Art Museum, Tokyo
Tokyo National Museum, Tokyo
Tsui Museum of Art, Hong Kong
Tsz Shan Monastery Buddhist Art Museum, Hong K ong
Victoria and Albert Museum, London
Virginia Museum of Fine Arts, Richmond
Worcester Art Museum, Worcester
Zhiguan Museum of Fine Art, Beijing
Previous Exhibitions
March 1972 Inaugural exhibition Early Chinese ceramics and works of art.
June 1972 Georges Rouault, an exhibition arranged by Richard Nathanson.
June 1973 Ancient Chinese bronze vessels, gilt bronzes and early ceramics.
November 1973 Chinese ceramics from the Cottle collection.
December 1973 Japanese netsuke formerly in the collection of Dr Robert L Greene.
June 1974 Early Chinese ceramics and works of art.
November 1974 Japanese inro - from the collection of E A Wrangham.
May 1975 Japanese netsuke and inro - from private collections.
June 1975 Ancient Chinese bronzes from the Stoclet and Wessén collections.
June 1976 Chinese jades from a private collection.
June 1976 Michael Birch netsuke and sculpture.
June 1976 Japanese netsuke and inro - from private collections.
June 1977 Ancient Chinese bronze vessels, gilt bronzes and sculptures; two private collections, one formerly part of the Minkenhof collection.
June 1978 Ancient Chinese sculpture.
June 1978 Michael Webb netsuke.
June 1978 Eighteenth to twentieth century netsuke.
June 1979 Japanese netsuke from private collections.
June 1980 Jap anese netsuke from private collections and Michael Webb net suke.
July 1980 Ancient Chinese bronzes and gilt bronzes from the Wessén and other collections.
December 1980 Chinese works of art from the collection of J M A J Da wson.
October 1981 Japanese netsuke and inro - from the collection of Professor and Mrs John Hull Grundy and other private collections.
December 1981 Ancient Chinese sculpture.
October 1982 Japanese inro - from private collections.
November 1983 Michael Webb, an English carver of netsuke.
October 1984 Japanese netsuke, ojime, inro - and lacquer-ware.
June 1985 A ncient Chinese bronze vessels, gilt bronzes, inlaid bronzes, silver, jades, ceramics – Twenty five years.
December 1986 Japanese netsuke, ojime, inro - and lacquer-ware.
June 1987 Tang.
June 1989 Chinese and Korean art from the collections of Dr Franco Vannotti, Hans Popper and others.
November 1989 Japanese lacquer-ware from the Verbrugge collection.
December 1989 Chinese art from the Reach family collection.
May 1990 Japanese netsuke from the Lazarnick collection.
June 1990 Ancient Chinese sculpture from the Alsdorf collection and others.
November 1990 The Charles A Greenfield collection of Japanese lacquer.
June 1991 Inlaid bronze and related material from pre-Tang China.
November 1992 Japanese lacquer-ware – recent acquisitions.
December 1992 Chinese lacquer from the Jean-Pierre Dubosc collection and others.
June 1993 Early Chinese art from tombs and temples.
June 1993 Japanese netsuke from the Carré collection.
June 1994 Yuan and early Ming blue and white porcelain.
June 1995 Early Chinese art: 8th century BC – 9th century AD.
October 1995 Adornment for Eternity, loan exhibition from the Denver Art Museum.
June 1996 Sculpture and ornament in early Chinese art.
November 1996 Japanese inro - and lacquer-ware from a private Swedish collection.
March 1997 Ceramic sculpture from Han and Tang China.
June 1997 Chinese Buddhist sculpture.
June 1997 Japanese netsuke, ojime and inro - from the Dawson collection.
November 1997 Japanese netsuke – recent acquisitions.
March 1998 Animals and animal designs in Chinese art.
June 1998 Japanese netsuke, ojime and inro - from a private European collection.
November 1998 Chinese works of art and furniture.
March 1999 Ancient Chinese bronzes and ceramics.
November 1999
Ancient Chinese bronzes from an English private collection.
March 2000 Masterpieces from ancient China.
November 2000 Chinese furniture of the 17th and 18th centuries.
March 2001 Tang ceramic sculpture.
November 2001 Chinese ceramic vessels 500 – 1000 AD.
March 2002 Chinese Buddhist sculpture from Northern Wei to Ming.
November 2002 Two rare Chinese porcelain fish jars of the 14th and 16th centuries.
March 2003 Chinese works of art from the Stoclet collection.
November 2003 Song: Chinese ceramics, 10th to 13th century.
March 2004 Chinese Buddhist figures.
November 2004 A selection of Ming and Qing porcelain.
March 2005 Ancient Chinese bronzes and sculpture.
November 2005 Song ceramics from the Hans Popper collection.
March 2006 A selection of early Chinese bronzes.
June 2006 Recent paintings by Arnold Chang.
November 2006 Chinese porcelain from the 15th to the 18th century.
March 2007 Song: Chinese ceramics, 10th to 13th century (part 3).
November 2007 Mountain landscapes by Li Huayi.
March 2008 Chinese sculpture and works of art.
October 2008 Chinese ceramics and stone sculpture.
October 2009 Seven classical Chinese paintings.
March 2010 Trees, rocks, mist and mountains by Li Huayi.
November 2010 Fiftieth anniversary exhibition: twelve Chinese masterworks.
March 2011 Early Chinese metalwork in gold and silver; works of art of the Ming and Qing dynasties.
November 2011 Chinese huanghuali furniture from a private collection.
November 2011 The twelve animals of the zodiac by Li Huayi.
November 2012 Qing porcelain from a private collection.
October 2013 Junyao.
October 2013 Bo Ju Gui: an important Chinese archaic bronze.
October 2014 Waterfalls, rocks and bamboo by Li Huayi.
October 2014 Chinese sculpture c. 500 - 1500.
May 2015 Principal wares of the Song period from a private collection.
October 2015 Transfigured echoes: recent paintings by Liu Dan.
October 2016 Recent paintings by Zeng Xiaojun.
November 2016 Early Chinese art from private collections.
November 2017 Six Dynasties art from the Norman A. Kurland collection, Part one.
May 2018 Song: Chinese ceramics, 10th to 13th century (part 5).
May 2018 Gogottes: a rift in time.
November 2018 Six Dynasties art from the Norman A. Kurland collection, Part two.
November 2019 Room for study: fifty scholars’ objects.
October 2021 Tang: ceramics, metalwork and sculpture.
June 2022 Contemporary bamboo: masters from Japan.
June 2022 Gogottes: unfolding time.
October 2022 50 years of exhibitions: five masterpieces on loan from a private family collection
June 2023 Between perfection and destruction: Fang Lijun porcelain sculpture.
June 2023 Bamboo masterworks from Japan - classical to contemporary.
October 2023 Chinese ceramics, lacquer and gold from the 12th to the 14th century
June 2024 Elegant playthings in wood, lacquer and stone.
November 2024 Blue and white porcelain from the Yuan and early Ming dynasties.
May 2025 Bamboo and lacquer masterworks by Ikeda Iwao.
May 2025 Bamboo masterworks by Fujitsuka Shosei.
ESKENAZI
10 Clifford Street
London W1S 2LJ
Telephone: 020 7493 5464
e-mail: gallery@eskenazi.co.uk
web: www.eskenazi.co.uk
